Brian and I avid movie watchers, but I have avoided reviewing them until now for two reasons: 1) most media today is almost entirely forgettable, and 2) I’m terrible at writing movie reviews.
The last couple weeks we’ve watched a couple of older recent movies: Fireproof and Dan in Real Life.
Knowing the background of Fireproof, the story written, directed and acted primarily by amateurs, I had very low expectations of it. I put it in the Netflix queue simply because I read a number of rave, though sparsely detailed, recommendations of it from a variety of sources. To put it simply, it mostly fell flat. I’ll be gracious about the acting, which, while not terrible, was certainly nothing to write home about. The meaning of the film is a message that needs to be broadcast widely and loudly throughout our society, that marriage requires sacrifice. Frankly, true happiness requires sacrifice. But the manner in which this story was told will almost ensure that the message is only heard by a very tiny minority of the population. To me, the movie clearly implied that only non-Christian marriages suffer difficulty, pain, crisis and hopelessness. Every single marriage depicted in the film underwent trials before the individuals involved made statements of faith, and improved dramatically after they began to trust in the Lord.
This story would have been strengthened by a more realistic portrayal of a variety of situations in which marriage requires self-sacrifice and reliance on Grace to achieve success and happiness. There are also significant problems with the way the story handled gender, respect, focusing solely on the husband’s choices and impact of his sins while completely disregarding the wife’s sins against their marriage, and an utter lack of artful story-telling and judicious editing.
The second film, Dan in Real Life, on the other hand completely blew me away. This sat on our instant watch queue for months. We’ve both enjoyed quite a bit of Steve Carell’s other work, and I was prepared for the usual incidental vulgarity. Instead, I discovered a little gem of a picture about family harmony, love, and again, sacrifice. This time, sacrifice was put in its proper perspective. The story begins with a parenting advice columnist, Dan, who is raising his three adolescent (and near adolescent) daughters alone. Along the way, we find out he was widowered. The bulk of the movie takes place during a family reunion vacation at the grandparent’s cottage. After arriving at the home, Dan is ushered out of the house by his perceptive mother, knowing he rarely takes time for himself. At a local book store, he encounters Marie, who agrees to coffee and pastries and then tentatively provides her phone number with the caution that she is in a new relationship. Predictably, this new relationship ends up being with Dan’s younger brother, Mitch, who introduces Marie to the family at the gathering.
Over the subsequent three days, Dan and the entire family fall in love with Marie. More than once, the suggestion arises to be honest about the budding relationship between them, but Dan decides that he needs to quell his feelings for her out of respect for his brother and as a father to his children. Various intuitive females amongst the family allude to something going on between Dan and Marie.
What makes this movie, though, is not necessarily the plot, which is fairly predictable, but the characters of the family members, the true caring and respect between all of them, the jovial, but compassionate interactions. Both Brian and I remarked that this is what we are striving for with our own family, and I think have a good hope of achieving. As a parental note, this story is about as clean as they come, though there is one awkward bathroom/shower scene in which Marie ends up in nude in a shower with the totally clothed Dan who takes the shortest route possible out of the situation.